WOMEN’S PROSE OF THE 20TH CENTURY: PROBLEMATICS, AESTHETICS, AND ARTISTIC FEATURES

Authors

Khasanova Mehribon Yunusovna Master’s student of group MM1-RTA-25, Department of Uzbek and Russian Philology, Asia International University, Bukhara, Uzbekistan.

Keywords:

women’s prose, gender, feminism, 20th-century literature, narrative, identity.

Abstract

This article is devoted to a comprehensive analysis of women’s prose of the 20th century as a significant phenomenon in world and Russian literature. The study examines the historical and cultural prerequisites for its formation, thematic originality, artistic features, and the contribution of key authors. Special attention is paid to the issues of identity, corporeality, memory, and gender discourse.

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References

Sergo, Yu. N. Women’s Prose in Russia: Features of Artistic Philosophy. Philological Class, 2006.

Khasanova, M. Yu. Women’s Prose: New Strategies of Self-Expression. 2025.

Beauvoir, S. The Second Sex. Moscow, 1997.

Chumachenko, O. V. Aspects of Women’s Prose in Modern Russian Literature. 2011.

Woolf, V. A Room of One’s Own. 1929.

Kholbekova, U. M. Specificity of Women’s Prose of the 20th–21st Centuries. 2021.

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Published

2026-04-27

How to Cite

Khasanova Mehribon Yunusovna. (2026). WOMEN’S PROSE OF THE 20TH CENTURY: PROBLEMATICS, AESTHETICS, AND ARTISTIC FEATURES. International Multidisciplinary Journal for Research & Development, 13(4), 2323–2325. Retrieved from https://ijmrd.in/index.php/imjrd/article/view/6070