PROCESSES OF IMPROVEMENT OF UZBEKISTAN FOLK INSTRUMENTS (ON THE EXAMPLE OF THE CHANG INSTRUMENT)

Authors

Makhamatova Marjona Azamatjonovna Fergana State University Faculty of Pedagogy, Psychology and Art Studies Department of “Vocal and Instrumental Performance” 2nd year student of the Instrumental Performance major

Keywords:

chang, music, history, instrument, word, parda, maqom, sado, nohun, santur, arfa, Hijaz, Zangula, Kuchek

Abstract

There are many stages in the development of Uzbek folk instruments, and the above information is discussed, and the processes of improvement of Uzbek folk instruments are considered on the example of the khan instrument. The historical and evolutionary stages of the development of the khan instrument, its role and issues in national music performance are described. The perfect harmony of the instrumental works and their instrumentalization in accordance with the path of the instrument are mentioned.

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References

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Published

2026-04-08 — Updated on 2026-05-29

Versions

2026-05-29 (2)
2026-04-08 (1)

How to Cite

Makhamatova Marjona Azamatjonovna. (2026). PROCESSES OF IMPROVEMENT OF UZBEKISTAN FOLK INSTRUMENTS (ON THE EXAMPLE OF THE CHANG INSTRUMENT). International Multidisciplinary Journal for Research & Development, 13(4), 297–303. Retrieved from https://ijmrd.in/index.php/imjrd/article/view/5558 (Original work published April 8, 2026)