THE MUSIC CULTURE OF THE PEOPLES OF CENTRAL ASIA
Abstract
This article provides a scientific analysis of the formation and historical development of the musical culture of the peoples of Central Asia. The study examines the musical traditions of the peoples of the region, originating from ancient times, the development of oral creativity, folklore and epic genres, as well as the influence of the settled and nomadic way of life on musical thinking. Based on archaeological finds, historical sources, and the scientific views of the great scholars Abu Nasr Farabi, Abu Ali ibn Sina, and Safiuddin Urmavi on music, the theoretical and practical aspects of Central Asian musical art are analyzed. The article also examines the rise of musical culture in the Middle Ages in the territories of Maverannahr and Khorasan, the processes of formation of maqam art and professional performance traditions. The research results will serve to identify the common roots and national features of the musical culture of the peoples of Central Asia.
Keywords
Central Asia, musical culture, folklore, maqom art, bakhshi art, epic genres, musical instruments, settled and nomadic culture, musicology, Movarounnahr, Khorasan.
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