THE MUSIC CULTURE OF THE PEOPLES OF CENTRAL ASIA

Authors

Tilewmuratova Mehribon,Aximbetova Gulbahar Qanatbayevna scientific supervisor,Professor of the Department of Folk Art of the Nukus Branch of the Uzbek State Institute of Arts and Culture

Keywords:

Central Asia, musical culture, folklore, maqom art, bakhshi art, epic genres, musical instruments, settled and nomadic culture, musicology, Movarounnahr, Khorasan.

Abstract

This article provides a scientific analysis of the formation and historical development of the musical culture of the peoples of Central Asia. The study examines the musical traditions of the peoples of the region, originating from ancient times, the development of oral creativity, folklore and epic genres, as well as the influence of the settled and nomadic way of life on musical thinking. Based on archaeological finds, historical sources, and the scientific views of the great scholars Abu Nasr Farabi, Abu Ali ibn Sina, and Safiuddin Urmavi on music, the theoretical and practical aspects of Central Asian musical art are analyzed. The article also examines the rise of musical culture in the Middle Ages in the territories of Maverannahr and Khorasan, the processes of formation of maqam art and professional performance traditions. The research results will serve to identify the common roots and national features of the musical culture of the peoples of Central Asia.

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References

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Qanatbayevna, Aximbetova Gulbahar, and Xudaybergenov Xursandjon. "PEDAGOGICAL CHARACTERISTICS OF THE ART OF GIVING." Academic Integrity and Lifelong Learning (France) 3 (2023): 7-10.

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Published

2026-01-28

How to Cite

Tilewmuratova Mehribon,Aximbetova Gulbahar Qanatbayevna. (2026). THE MUSIC CULTURE OF THE PEOPLES OF CENTRAL ASIA. International Multidisciplinary Journal for Research & Development, 13(01), 895–898. Retrieved from https://ijmrd.in/index.php/imjrd/article/view/4912