SCREEN AND REVOLUTION: CINEMA IN THE FORMATION OF SOVIET IDEOLOGY IN THE 1920-1930

Authors

Karimov Raimqul Olimjon ugli Social and Humanitarian Sciences Teaching Methodology (History) 2nd-year Master’s student
Isomiddinov Yo‘ldosh Yusubboevich Samarkand State Pedagogical Institute Department of History Associate Professor V.B., Doctor of Philosophy (PhD)

Keywords:

Soviet cinema, ideology, montage, Dziga Vertov, Sergei Eisenstein, Vsevolod Pudovkin, 1920s–1930s, revolutionary art, social consciousness, cinematic propaganda.

Abstract

This article examines the role of cinema in the formation of Soviet ideology during the 1920s and 1930s. The study analyzes the development of Soviet cinematic art, its ideological functions, and its influence on social consciousness. Special attention is paid to montage techniques, revolutionary themes, and the works of prominent directors such as Dziga Vertov, Sergei Eisenstein, and Vsevolod Pudovkin. The article demonstrates how cinema served as an effective tool for promoting revolutionary ideas and shaping Soviet societal values.

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References

Leyda, Jay. Kino: A History of the Russian and Soviet Film

Taylor, Richard & Christie, Ian (tahr.). The Film Factory: Russian and Soviet Cinema in Documents, 1896–1939

Academic Block. Sovet montaj nazariyasi.

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Published

2026-01-11

How to Cite

Karimov Raimqul Olimjon ugli, & Isomiddinov Yo‘ldosh Yusubboevich. (2026). SCREEN AND REVOLUTION: CINEMA IN THE FORMATION OF SOVIET IDEOLOGY IN THE 1920-1930. International Multidisciplinary Journal for Research & Development, 13(01), 201–203. Retrieved from https://ijmrd.in/index.php/imjrd/article/view/4716